I find joy in understanding the contexts of things: the multilayered narratives, the why and how behind the what. It's in that spirit that I collected images of the work I've done in the past year, inspired by last summer's adventuring in Iceland and printed a book:
Sumi & acrylic inks layered for depth with a touch of pencil and oil pastels
mixed media on paper 22" x 36"
Iceland is beautiful. I spent ten days there in July and couldn't wait to bring the colors, the light, the textures, the stories back to my studio. Last weekend, I finally had the time to do some painting. Here is a little of the process & a few of my favorites.
Fun fact #1 This 30 second timelapse represents something more like two hours
Fun fact #2 This footage was captured by taping my phone to the wall #lifehacks
Came back from Iceland, completely blown away by the landscapes -- especially the glaciers. Dark ash created lines, accentuated peaks and dips. Brought these to a woodblock printing workshop with Karen Gelardi, Anna Helper, and Megan Brady at Waterfall Arts in Belfast, Maine.
Below are some process pics and pieces from the workshop.
Overheard at a waterfall: "get it without any people."
It's pretty common practice to compose photographs that suggest you are the only human around. In Iceland, there are many places where you may truly be the only person in sight. But, at the major natural sites with large parking lots, restrooms, and coffee shops, there were many tourists. And I saw many of them taking photographs which omitted their fellow travelers.
I too took my fair share of photographs during this trip which intentionally cropped out people. But I also wanted to capture some of the tourism around me. Here are some of my favorites.